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## Notes from the session

anonymization problems/privacy concerns

missing tools for anonymizing data from social sciences

Panton Principles?

* make an explicit and robust statement of your wishes (reviews, questions,...)
* use a recognized waiver or license that is appropriate (explain, give guidance)
* no restrictive clauses like non-commercial - Open Definition
* explicit dedication to public/open domain

application to humanities?

* data is too narrow for humanities -> "a work" can be more
* description  of re-usability of elements
* possibility of adaption is important
* Open Content Definition
* recommendation of explicit declaration of copyright status (cc by, cc by-sa)

Goals of the session:

* A set of clear principles
* perspective of humanities on open (data)

comments:
- accessability of works
- stuck at certain types (books)
- referencing problem: annotations
- no clear way to refer to place in text - nilf(?) annotation format
- problem with other media types (video, audio): privacy
- re-usability only of results (annotations,...), re-using original data very tricky
- unintended consequences / use-cases
- risks of e.g. survey participants, interview partners not addressed
- distinguish between data types in humanities: different principles needed
- not "what are open humanities" but "what are Open Data in the humanities"

issues:
- rephrasing of work for data valid? distinguish data from works
- problem of crediting annotations

questions:
- underlying principle: permissive and/or prohibitive?
- to which disciplines can these principles be applied?
- where is the link between Open and Digital Humanities? Digital: use/explore how computers can be used in the humanities - open as in Open; other link: publicly funded efforts are in the public domain (museums, ...)

group discussions about problems & solutions:

privacy concerns:
- tools that help making data compliant
- risk management: publish guidance on how to  different data formats (manuscripts, paintings, sculptures) (museums, archives, libraries)

definitions:
- what are data in the humanities?
- research materials instead of data
- talk with researchers in the field
- works are not data; blurry definitions

motivations/barriers/incentives:
- attribution
- foreign use of assembled datasets and possible loss of research results

summary:
- clear definition of what are data in the humanities is needed badly
- problem this definition could be context dependent

NOTES BY DAVID POTOCNIK


(level 0 problem)
data in humanities = in books
books are not digitesed
----
MOVE CLASSICAL CANNON TO PUBLIC DOMAIN
----
use pirate editions?
        library genesis
        aaaaaaarg
        ....

level 1 problem
no ways of REFERENCING moments in books
= no URI for books !!!!!!!
        not unlike http://bookuri.com/aristotle/politics/42343
----------
technically possible, but not done!


"How to put existing materials into the public domain?"

PRIVACY CONCERNS
licensing

Is principle 1 permissive or prohibited?

"panton principles are not scripture"
rethink and make a crowd effort

in humanities:
WORKS vs DATA ?
        but there is also other types of "objects of study" that appear in humanities
------------------
distinction HUMANITIES vs SOCIAL SCIENCES

OKFN has a working group for OPEN HUMANITIES
Join the Mailing list!
Some projects:
. OpenPhilosophy
. OpenShakespeare
. Textus project
. OpenAnnotation

Open Humanities vs Digital Humanities ?
        "Digital" doesn't care about licenses, openness, etc
A lot though is publicly funded, so gets in the public domain
--------
Access problem:
Public funding pays for projects
books cost money to print
digital release not done because then "no one would buy books"

Problem:
annotated / "improved" editions do not maintain the openness of the public domain work that it is based on
solutions ???
        idea: a diff for humanities
        micro attributions

positive example:
TOPOI humanities publishing
        kafka
        ...
in berlin
they are commited to digital and open publishing
        2 years after release it becomes PD

open humanities vs open data for humanities (?)
-----
"What is OPEN DATA FOR HUMANITIES"?
        this is what binds to the panton principles
participatory research ..?


----------------------> group work

1. PRIVACY CONCERNS
        anonymisation 
        publish guidance on data in diff formats
        considerations to be legal compliant / risk mgmt
        
2. problem of attribution
        use research materials instead of data
        motivation for research is attribution/citation
        ... so DOES THIS collide with specific levels of openness (like CC-Zero)

3. "fears of getting scooped"
        you assemble a dataset
        then "someone comes and scoops/publishes the best stuff"
        ----
        so where is the incentive to publish primary dataset?
        
4. work is not same as data
        forget about "data" in humanities
        ------
        humanities is not science
        
<peter
        "panton was bout legal protection and public domain"
        ----
        OpenBibliography : open data for catalogs
        ----
        "We need to give a list of things we think are data" !!!
        ------------
        assemble a list/examples of open data in humanities?
                "list of poets"
                "Map of parnasus"
        ...is this somewhat "para-humanities"?
        -------------------
        de-contextualized data

Regards to Iain!



AFTER THE FESTIVAL

## What did you learn and/or make?

## How/what could you teach others?